![]() ![]() Oh, I also have shadows enables on the campaign map. It's kinda restored cut content, as I found a dedicated 'faction destroyed' video in the files, suggesting it was cut. Full unit roster, character names, and their own stature within the campaign sandbox. Even heavily trafficked areas such as Greece are totally smooth as well. A fairly basic mod that tweaks a few of the game files to introduce India into the campaign of the Rome: Total War - Alexander expansion. I also tested this out on my ultra-late game RSII save file which is at 730 AUC (game starts at 536 AUC so thats 184 years or somewhere around 90 turns into the game). I went from terrible/choppy map movement, freezes when I opened a settlement/character to totally smooth FPS. One other thing I can add is that in mods (I'm playing RSII) the loading bars/screens will look a bit off, but otherwise everything else works superb. Also note that I initially tested this fix on my old laptop (2014 HP Probook) which is a Core i5 3320M (2.6 GHz), 8 GB ram, Radeon 7650 M (1 GB VRAM).Īs others have said the only downside is you can't see flaming arrows. dll isn't crawling full of trojans/malware/etc and a scan I did came up clean, and 2) whether this really works and won't break either my game install, save game files, or entire system (none of these happened). I used an old laptop I recently replaced to test this out to 1) ensure this. I'm happy to say that this fix works 100%. I was very skeptical myself about this fix, and to say the least I was leery about downloading a random. So even if it seems like a magic fix, it could very well be most of the code being called is from the d3d8 DLL and not the d3d9 to ensure backwards compatibility perhaps. Usually game exes can call the code within DLL's even if they're not included in the game necessarily. IIRC rome and even m2 do call on d3d8, and will even crash/complain if you don't have previous versions of DX and all their dynamic link libraries installed. ![]() They will not do that because that is same as advertising onboard HD CPUs are flawed. The ONLY way I can find to fix for everyone is if INTEL creates a program like Alchemy for Soundblaster that creates an exemption list to block interaction and hide the onboard HD processes within the CPU for any listed program. I am sorry that people cannot read and understand the system requirements do not include INTEL CPUs with onboard HD such as the last of the Celeron CPUs and and all of the "i" series CPUs and the system requirements specifically state Pentium series CPUs for INTEL. If you say it does, I want to see the proof in videos both with and without that file in place with no other changes. There is simply no compatibility for DirectX 8. Rome Total War Mod Launcher v1.4 Full Version 1 comment This Rome: Total War Mod Launcher is a very helpful tool for both Rome Total War modders and users. The entire gaming engine would have to be decompiled, rewritten, and reassembled to make it even see a directX 8 file. You may as well use a picture of yourself for all the difference it makes. You could kill all processes but the games if you want.I honestly do not know why people believe Rome can see and use a Directx 8 file. Use something like gamebooster 3 which kills selected processes in your computer whilst you're playing the game.
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"I'm stuck an hour away from home because I normally use my phone to start car," one owner tweeted.Ībout 500 users reported an error on the app at around 16:40 ET (21:40 GMT) on Friday, according to the outage tracking site DownDetector. Owners posted a multitude of complaints online about not being able to use their vehicles. The Tesla app is used as a key by drivers to unlock and start their cars. Mr Musk later said the app was coming back online. Tesla chief executive Elon Musk personally responded to one complaint from a driver in South Korea, saying on Twitter: "Checking." Tesla drivers say they have been locked out of their cars after an outage struck the carmaker's app.ĭozens of owners posted on social media about seeing an error message on the mobile app that was preventing them from connecting to their vehicles. 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![]() ![]() When rendering from Premiere Pro, I exported directly from Premiere Pro, not by queuing and outputting via Adobe Media Encoder. Workflow and Encoding Optionsīoth Premiere Pro CS6 and Final Cut Pro X enable multiple encoding workflows, so let me define which I used up front. Fortunately, in CS6, Adobe greatly expanded the list of accelerated effects, so this wasn't limiting in any way. ![]() Then I added a range of common effects, including titles, blurs, sharpening, layering via opacity adjustments, picture-in-picture, and creating a video wall, to see how these effects impacted performance.Īll the effects that I applied were GPU-accelerated via Adobe's Mercury Playback Engine and the NVIDIA graphics card, as I suspect most Adobe producers in a hurry also do. With one or two exceptions, with each format, I started with a simple test, just a single 1-minute color/brightness-adjusted video output to the H.264 target. I describe each test project in detail below. 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In this article I'll discuss a series of multiple-format benchmark tests that analyzed comparative performance between the two programs. There have been lots of comparisons between Final Cut Pro X and Premiere Pro CS6, with most focusing on features and workflows. ![]() ![]() ![]() She puts them on and asks Keith how they look, and he replies, "You look good wearing my future." He then gives the earrings to a delighted Watts, who admits she always wanted them. He catches up to Watts and they kiss, whereupon Keith confesses to Watts that he had no idea how she really felt about him. Keith, realizing that he is in love with his best friend, bids Amanda goodbye with a kiss on the cheek. ![]() She returns the earrings and urges him to go after Watts. Duncan tells Keith he'll stay at the party in order to bring it "to a nice, respectable level".Īfter leaving the party, Amanda suddenly realizes that Keith and Watts have feelings for one another and that, instead of her earlier selfishness, she wants to do the "right" thing. ![]() Amused, Keith tells Hardy he is "over," after which Amanda slaps Hardy. Suddenly fearing for his safety, Hardy tries to talk his way out of his predicament. At Hardy's party, the timely arrival of Duncan and the other "misfits" saves Keith from taking a beating. Through his sister Laura, Keith finds out about the plot, believing Amanda to be part of it, but goes ahead with the date anyway, spending the rest of his college money on an expensive dinner and roping in Watts (as chauffeur) to help make the date special. Meanwhile, Hardy plots trouble for Keith by inviting him and Amanda to a party after their date, where he plans to have Keith beaten up. When Keith's father discovers the college fund has been emptied, he is livid, but Keith ultimately convinces his father to respect his right to make his own decisions. He later uses his college fund, with Watts in tow, and selects a pair of earrings for Amanda. He is oblivious to Watts' attraction to him. Watts tells him that she will appreciate a good kisser, and shows Keith how to kiss. With Watts' help, he sets out trying to plan the perfect date to prove he is worthy of Amanda. Watts enlists the help of another boy, trying to make Keith jealous, but he barely notices. Meanwhile, seeing her best friend with Amanda makes Watts realize her feelings for him are much deeper. Taking it as a chance to prove to Hardy that she does not need him, Amanda accepts. When Amanda breaks up with Hardy outside their school, Keith seizes the opportunity to ask her out. Unbeknownst to him, she has talked her way out of detention, and he is stuck with the school misfits, eventually making friends with troublemaker Duncan. Hearing that Amanda will be in detention, Keith gets himself in trouble in order to spend time with her. ![]() He treats Amanda as his "property" and is seen fooling around with another girl. She is dating Hardy Jenns ( Craig Sheffer), a self-absorbed boy from a wealthy neighborhood who thinks Keith is beneath him. Keith is enamored with Amanda Jones ( Lea Thompson), the most popular girl in school. Keith's blue-collar father is obsessed with sending him to college for business, as he would be the first in their family to go. Blue-collar mechanic and aspiring artist Keith Nelson ( Eric Stoltz) and his tomboyish friend Watts ( Mary Stuart Masterson), who has been subjected to rumors that she is a lesbian, aspire to improve their social standing. The film is set against the strict social hierarchy of an American public high school in suburban LA. ![]() ![]() ![]() ![]() Not all of the story makes the transition to mobile though – you won’t find any flashback sequences involving Sam’s daughter here, nor does the player have a choice of whether or not to kill the final boss. Sometimes they include voice and sometimes they don’t. Later story sequences use in-game graphics. The same beautiful FMV intro as the console version sets the stage for the story. Shrinky dinksĬonviction captures much of the Xbox 360 game’s charm. The aiming is sluggish and you’ll automatically die if you take too long to kill everybody, marring what should have been some fun turret action. As for the boat level, at several points Sam has to man a turret and fend off enemy vehicles. Then it takes ten or so hits from a rocket launcher to bring the bird down, all while you have virtually no safe cover. To even start fighting the chopper, you have to patiently dodge its one-hit kill attacks and succeed in a terrible Quick Time Event minigame. On the whole I enjoyed the campaign, except for two frustrating and poorly-designed missions: the rooftop helicopter battle, and a late-game boat level. Even though the missions are long, frequent checkpoints and Fast App Switching support make it easier to play and step away as necessary. ![]() For the most part they’re relatively easy, even on the highest difficulty, thanks to the very simplistic enemy AI. These can take up to 45 minutes or so, depending on your play style. Splinter Cell: Conviction consists of 11 missions. Anyone who claims that Mark and Kill makes the game too easy (even on consoles) is just full of bean dip. It’s a big help when available, but I only had the option to use it every now and then so I couldn’t rely on it. Press it again and Fisher shoots them all in a row. After taking out an enemy with your fists (I think), you can press a context button to mark a few enemies at once. You can also grab a live enemy and use him as a shield with one of the context buttons.Ĭonviction introduces a new move to Sam Fisher’s repertoire, the Mark and Kill. Do it from behind and he snaps their necks. Press attack from the front and Sam will subdue his foe. If you can get close enough to your enemies, melee combat becomes the easiest option. He automatically heals when danger passes. Thankfully, Sam can usually take several shots from a single enemy and come out on top. An annoying auto-aim feature hinders more than it helps, sometimes pulling the firing reticle off of an oncoming enemy. Headshots will kill enemies instantly hit them anywhere else and it’ll take a few slugs. Let god sort 'em outĬonviction uses two basic types of combat: guns and melee. From there, it’s easy to jump to other pieces of cover or lean out and fire at enemies. ![]() Fisher can also take cover behind certain objects, doors, etc. The screen doesn’t turn back and white when he can’t be seen like the console versions, but that’s probably for the best when playing on a phone in potentially suboptimal lighting conditions. Sam’s method of operation revolves around sneaking in the dark – simply stay in shadows and dark areas and enemies won’t detect him. Swiping with your right finger pans the camera, while two or three context-sensitive buttons on the right initiate actions. Of course, the touch screen interface takes some getting used to, but text tutorials ease you in pretty well.Ī virtual stick on the left controls Fisher’s movement. Gameloft has somehow managed to adapt a big-budget console title that makes use of every button on the Xbox 360 controller to smartphones with touch screen controls, leaving out very little of the core gameplay in the process. Conviction is all about sneaking around and taking out bad guys, something we can all get behind. Whether or not you care about political intrigue and military jargon, gameplay is the real attraction here. ![]() ![]() “They said ‘you’re going to have to adjust it’. We put this throttle on, he threw the tools at the helicopter in anger, jumped in the car and finished the stage and we didn’t have enough throttle, we only had part-throttle. ![]() “So we had to get the tools, and next minute here comes WRC TV with the helicopter, hovering off to one side and Colin was cursing the s*** out of the car as he would. We stopped and the team said ‘the only option you’ve got is to connect the other throttle cable, the manual throttle cable’. “We carried on, it did reboot itself and did get going but then on the drop down to the finish the thing went again. But of course that was it, the rally was finished then. “ up on the inside of us and away he went. Grist interrupts himself to impersonate the noise of Mäkinen’s Lancer. “ got on the radio and ‘you’ve got to switch the power off and reboot it’ and we started to reboot it and next minute here comes Tommi.” We were literally right in the middle of the hairpin facing up the way we had to go because we’d just spun to a halt. Colin said ‘I’ve got no throttle, I’ve got no throttle’ and he was just ticking over there. “I remember everything was fine with no issues and then we just came into this hairpin right, and spun. We had issues with Subaru on that side of the mountain for a couple of years and then lo and behold for this to happen. “I can remember the situation now, we were literally only a couple of kilometers from the top of Turini coming up from the Sospel side and always that mountain it’s never treated us well. “Leading Monte Carlo with just a few stages to go, we were fairly confident that we were up for it,” says Grist. But it all went wrong on the side of Col de Turini “which always haunted us”. ![]() After a steady start, McRae and Grist had climbed up to first place, battling Mäkinen and his Risto Mannisenmäki for the lead after the second day. It all started on the famous Monte Carlo Rally. So how did it all go wrong? And indeed, where did it go wrong? It may be tempting to assume that the massive Rally GB smash was the moment the title was truly lost – and perhaps it was – but there were several other factors that pegged McRae and Grist back. “Other than those three victories back to back right in the middle part of the season the rest of it wasn’t great for us at all.” ![]() “Disappointing I suppose is probably what you’d say about it all,” adds Grist. That was a difficult end to a long season.” He’d had some great wins where he won three on the trot and he’d got the car into a strong position to be really competitive. “He was just absolutely on top of his game,” remembers then-Ford team principal and current M-Sport managing director Malcolm Wilson. I don’t think anybody was having it their own way, everybody was dogged with issues or another.”īut having led the championship by two points heading into a winner-takes-all finale with Richard Burns and Tommi Mäkinen – with Carlos Sainz also in contention – McRae’s spectacular exit from the contest on stage four in his Ford Focus RS WRC 01 perhaps goes down as one of the biggest ‘what if’s of his WRC career. As Grist acknowledges: “The 2001 season was a very low scoring season, the winner had 33% less points than the previous season. The 2001 season was a bizarre affair where nobody really had a clean season. ![]() Nicky Grist is of course recounting the terrifying Rally GB accident that ended his and Colin McRae’s World Rally Championship hopes for 2001 in an instant. “At the time the notes just came out and he chose his line, but then when it corkscrewed us through the air we had this sudden situation of land, sky, trees, land, sky, trees and then bing-bang-bang-BANG-boosh! And that was it.” ![]() |
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